the label from the southeast with antennae pointed everywhere
Formally a division of the Projekt Atol Institute (zavod Projekt Atol), rx:tx is
designed to enable access to production facilities and distribution networks for
innovative artists from all over the world, but with a specific focus on the artists
of the post-communist countries of Eastern Europe whose lively production of new
electronic beats, grooves, clicks, cracks and infosphere noise is as yet little known abroad.
rx:tx was established by a group of Slovenian conceptual / sound artists, computer
engineers, and architects, who work mainly in the electronic music field and launched
in April 2002 at the Gwangju Biennale, Korea with the presentation of our first two
editions: Signal Territory: Signal Territory I and Jadviga: Nonim.
rx:tx collaborates with artists and labels from Eastern European regions whose music
we like, and whose music activism we appreciate and support, and we emphasise the
significance of supporting Eastern European scenes which have a very specific historical
provenience (See Progress section for details). At the same time, however, we are not
limiting our activities to this geo-political criteria. Instead, in an effort to overcome
the still existing divisions, to expose the relativity of differences, and to cross check
the field we are all working in, we will put artists from different cultural backgrounds Scanner and Laurent Pernice for example - in the same context.
Founded in 1994 Projekt Atol Institute (zavod Projekt Atol) is a non-profit art/concept
production institution that manages diverse art, science and tactical media projects,
including Makrolab and the Signal-Sever! Transignal.performance series.
This is a series of events and live performances by musicians, visual artists, and high
frequency and satellite telecommunications experts who jam over satellites and work with
and within the radio zones of the electromagnetic spectrum.
rx:tx
the label from
the southeast with antennae
pointed everywhere